【一起来读书吧 Bookclub】
《台湾漫游录》线下读书会： 8月9日，我们会在纽约中文独立书店Accent Sisters举办《台湾漫游录》线下读书会。故事讲述了1938年日本统治台湾时期，一位年轻的日本女性小说家来到岛上，希望能一路吃穿台湾，在这个过程中她爱上了自己的女性翻译，但却苦于难以克服殖民者与被殖民者之间的鸿沟。这本书今年斩获了国际布克奖，是首部获得这部奖项的华语原著作品。
"Taiwan Travelogue" In-Person Book Club: On August 9th, we'll be hosting an in-person book club for Taiwan Travelogue at Accent Sisters, a Chinese-language independent bookstore in New York. The story follows a young Japanese novelist who travels to Taiwan during the Japanese colonial period in 1938, hoping to eat and dress her way across the island. Along the way, she falls in love with her female translator, but struggles to overcome the gulf between colonizer and colonized. The book won this year's International Booker Prize, making it the first Chinese-language original work to receive the award.
- Book club link: https://luma.com/yayseynm
【聊了什么The What】
这期节目，我们和友台新新人类的主播采薇把去年两部大火的关于家庭创伤的电影——《情感价值》和左撇子女孩。一部是台北夜市里五光十色的单亲家庭故事，一部是奥斯陆老宅里安静流淌的父女和解。表面上文化背景毫不相干，但其实在讲同一件事：房子如何变成家族秘密的容器，孩子如何在大人自己都说不清的沉默里，替上一代扛下没有被言说的创伤。
孩童视角的滤镜，是四两拨千斤的巧思，还是对真实伤害的一次美化和逃避？一个从未说出"对不起"的父亲，值得被原谅吗？还是我们能给出的，只是一种不求回报的宽恕？创伤到底是应该被讲述出来，还是有些沉默本该被尊重？
In this episode, we're joined by Caiwei, our friend from Pixel Perfect, to talk about two of last year's buzziest films about family trauma: Sentimental Value and Left-Handed Girl. One is a single-mother story set amid the neon chaos of a Taipei night market; the other is a quiet, slow-burning father-daughter reconciliation unfolding inside an old house in Oslo. On the surface, the cultural backdrops couldn't be more different, but underneath, both films are doing the same thing: turning a house into a vessel for family secrets, and asking how children end up carrying the unspoken trauma of the generation before them, inherited through silences the adults themselves can't put into words.
Is the child's-eye filter a clever, light-touch device, or is it a way of prettifying and dodging real harm? Does a father who never says "I'm sorry" deserve to be forgiven — or is the most we can offer him a kind of grace that asks for nothing in return? And should trauma be spoken aloud at all, or is some silence owed its own respect?
【时间轴 The When】
03:50 - 《左撇子女孩》剧情简介：台北夜市里破碎的三代女性
26:25 - 两片中的孩子：以静 vs Eric，谁在拯救谁
31:30 - 母亲与姐姐角色的"男性意淫"式书写
45:43 - 父亲是"Art Monster"：唯一的爱的管道是作品
56:28 - 挪威二战历史、祖母之死与集体沉默
63:16 - Elle Fanning与美国：天真的旁观者，以及一把"骗人"的IKEA椅子
73:29 - Catherine Liu的"创伤文化"理论：好莱坞的同理心剧场
77:14 - 宽恕与原谅的区别：Nora 和 Agnes 的成长弧光
89:15 - 一部关于电影、表演与创伤消费的电影
03:50 - Left-Handed Girl plot rundown: three generations of women coming apart in a Taipei night market
26:25 - The kids in both films: Yijing vs. Eric — who's actually saving whom
31:30 - The mother and older sister as "male-gaze fantasy" — how their characters are written
45:43 - The father as "Art Monster": art as his only channel for love
56:28 - Norway's WWII history, the grandmother's death, and a collective silence
63:16 - Elle Fanning and America: the innocent bystander, plus one very deceptive IKEA chair
73:29 - Catherine Liu's "trauma culture" theory: Hollywood's theater of empathy
77:14 - Grace vs. forgiveness: the arcs of Nora and Agnes
89:15 - A film about filmmaking, performance, and the consumption of trauma
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